Friday, 28 June 2013
Back from Dieppe
But enough of food. Our visit also coincided with an exhibition at the castle of paintings by Jacques Emile Blanche, the gifted Anglophile who dominated Dieppe's artistic society for decades. The above piece of bravura portraiture - which is massive in scale and entirely uncharacteristic - was a highlight (of a kind) of the exhibition. A monumental work with the feel of a Baroque altarpiece, but drawing on the English tradition of open-air family portraiture, it depicts the Norwegian painter Frits Thaulow, his somewhat Amazonian wife, his son and his adoring daughter, in her turn adored by the family dog. In these unlikely circumstances, Thaulow, cigarette in mouth, attempts to paint a landscape.
Thaulow specialised in painting rivers and flowing water - one of his river scenes was in the exhibition (and caught Mrs N's eye, who suggested I secrete it under my coat on the way out - but in fact the painting I most coveted was a quite beautifully accomplished late still life by Blanche, of white hellebores in a dark blue vase beside a yellow bowl. I could live with that...).
When they set up house in Dieppe, Thaulow and his wife were notably friendly, generous and hospitable to all, and were among the few in the cliquey and fissiparous world of 'Dieppe society' who were without enemies. Thaulow was also one of those who did not shun - as Sickert and, against his better instincts, Blanche did - Oscar Wilde when he arrived in Dieppe after serving his prison sentence. On one occasion when Wilde was being publicly humiliated in a cafe, Thaulow rose from his table, strode over and boomed at him, 'Mr Wilde, my wife and I would feel honoured to have you dine with us en famille this evening.' Wilde gratefully accepted and became a frequent visitor at the Thaulows'.
Sadly the Cafe Suisse, outside which Wilde would sit in his Dieppe days, holding court and being summarily 'cut', has had a recent garish makeover that has erased every last trace of its illustrious fin de siecle past. Such a shame it wasn't, rather, restored to its red plush and gilt glory. On the other hand, one of the remaining traces of the great days of the English community in Dieppe - the fading remnant of an 'English Grocers' sign near the Cafe des Tribunaux - has been repainted and now looks as good as new, though of course the building it was painted on no longer houses an English grocer's shop.
Sadly too, butterflies were few and far between this year on the clifftops where they used to be abundant, around the castle and above the harbour. However, yesterday morning I had a happy moment when, beside the road under the cliffs near the ferry port, I spotted, on a patch of scrubby land yellow with birdsfoot trefoil, stonecrop and kidney vetch, a Small Blue flying - and then another, and another and another, a thriving little colony of this tiniest and daintiest of our British blues, now scarce and very local on our side of the Channel. This could well turn out to be the highlight of my butterfly year - and it happened in Dieppe.